Philanthropy
What’s Next: A Kickstarter for Creative Types
Artists, musicians, writers, and other creative types are asking the public to underwrite their dreams via an online fundraising platform.
Artists, musicians, writers, and other creative types are asking the public to underwrite their dreams via an online fundraising platform.
Jeff Raikes takes over the Gates Foundation at a turbulent time when philanthropic resources are down and social needs are up.
To enrich the bottom of the pyramid, bankers to the poor should make saving money easier by using the latest findings from economics and psychology.
The Chicago Metropolitan Agency for Planning is an example of government collaboration.
International development is increasingly dependent on the entrepreneurship of local citizens. But has the U.S.-caused global recession robbed American business and government of the ability to persuade other countries to partake of the capitalistic entrepreneurial model? In this panel discussion, part of a conference convened by the Hoover Institute at Stanford, experts discuss the role of entrepreneurship in economic growth worldwide.
Microfinance has become a staple of international development. In this audio interview, Chetna Gala-Sinha talks with Stanford Center for Social Innovation correspondent Sheela Sethuraman about how her micro-enterprise development bank and foundation are economically empowering rural women in India. She describes the various tools and services that allow women to become financially independent, provide more adequately for their families, and drive international development.
Hagar was the biblical woman who became the victim of neglect and violence when she was cast out of the fold of Abraham and Sarah. In Cambodia, Afghanistan, and Vietnam, thousands of "Hagars" and their children suffer poverty, trafficking, and other human rights abuses. Janet Tafel, who was invited by the Center for Social Innovation at Stanford, discusses how her organization, Hagar USA, helps individuals restore their lives through holistic healing, community integration, and social entrepreneurship.
The dangers of letting technology, rather than the communities on the other end, lead.
The fine arts in America are on a perilous path. Attendance at opera, theater, jazz, symphony, and ballet performances has dropped precipitously in recent decades. Just as worrisome, the median age of people attending these events has increased dramatically. If the fine arts are to survive as a living, creative, and significant force in American life, arts institutions need to radically recreate themselves.